The Girl With the Dragon Tattoo by Stieg Larsson

The Girl With the Dragon Tattoo, Stieg Larsson, Knopf, 2005

WARNING: Spoiler & Sensitive Material ⚠

1 Star

Rating: 1 out of 5.

Book – The Girl With the Dragon Tattoo

I found BR Meyer’s A Reader’s Manifesto an Attack on the Growing Pretentiousness in the American Literary Prose to be a useful gauge in analyzing Steig Larsson’s the The Girl With the Dragon Tattoo. No, TGwtDT was not published in the US, but it was a blockbuster-literary-phenom here, so using that book is relevant. What differentiates novels like The Girl with a Dragon Tattoo from other lengthy blockbusters like, say Gone Girl is that the former takes itself much too earnestly to be appreciated. TGwtDT is a bestseller, yes, but it deals with a serious topic no other book has touched: violence against women!

I read a review of TGwtDT that derided readers who complained the book was too slow, and chided readers for not knowing how to skim over the unimportant parts! That’s how real readers read, don’t you know! Look, I’m no speed-reader, but I’m a believer in that words have meanings. They exist for a reason. If I skim a lot, it’s a sign that the author has lost my interest.

This belief seems to be confusing for some. Like the literary critics in Meyer’s manifesto write: 

“If anyone has earned the right to bore us for our own good, it’s [NAME REDACTED],” writes Salon Martha Russo. “Since [HE] is smarter than we are,” intones John Leonard in the New York Review of Books, “trust [HIM].”

A Reader’s Manifesto an Attack on the Growing Pretentiousness in the American Literary ProseBR Meyer

Such is the early 21st century mindset about LITTER-A-CHORE.

Since I do not own the physical version of TGwtDT, and don’t intend to everagain listen to the audio, I cannot quote verbatim from his book. So I will borrow from Myer’s manifesto when he criticizes Cormac McCarthy’s tiresome writing from one of McCarthy’s later works:

“He ate the last of the eggs and wiped the plate with the tortilla and ate the tortilla and drank the last of the coffee and wiped his mouth and looked up and thanked her.”

CORMAC McCARTHY- THE CROSSING

Replace eggs and tortilla with sandwiches and bread and add in even more copious amounts of coffee, and there you have about 10%-15% of Larsson’s book. It’s tedious.

Feminist Tome or Something Less Noble?

As TGwtDT deals with rape and murder, it’s not unusual that there would be explicit scenes depicting this. The heroine Lisbeth Salander is raped by her social worker two various times. Once, orally in his office and the second time anally in his home after he has ties her to his bed.

These scenes are written in a slightly horrific, yet detached manner. It’s not these scenes that I question; it’s the revenge scene that follows. Lisbeth turns the tables on the social worker when she returns to his home, ‘promising’ another night of sex for pay, then tazes him, ties him to his bed and rapes him.

But the way the scene is written is done in an oddly titillating manner. Lisbeth stands at the foot of the bed, dressed all in black, wielding a whip, with her dyed-black hair, tattoos and piercings giving her a dark dominatrix look as the man struggles against his bonds and ball-gag. Lisbeth proceeds to rape him with an anal plug without the use of lubrication. She then tortures him by tattooing a message across his abdomen. Lisbeth finally ends his torture by showing the man a video that she recorded from the previous encounter when he had raped her. For an hour and a half she forces him to watch this!

Frightening stuff, one would think, but the way it’s written is done in such a kinky manner, that I—a long time reader of subtle kink—can spot it when I see it. This scene is supposed to be critical to the novel as it shows the true nature of Lisbeth and the depths she is capable of.

To me, though. it reads as a writer’s fantasy of being dominated by a tough woman. It’s more like, “Yes, I am a bad, bad, evil man. I am a filthy dirty man, and I must be punished. I understand you will stick painful things up my bum without lube. Oh, it hurts, oh it’s painful…but…now…I am in a quiet, almost hypnotized state of ecstasy at your masterful female dominance. Oh…yes I will do whatever you say. I will be your slave.”

Genre Fiction That Takes Itself Too Seriously

Many years ago I read Jane De Lynn’s Some Do where a similar scene is portrayed. After a friend is brutally raped and dies as a consequence, several women avenge that savagery by raping her attacker. However in Some Do, the scene was disturbing. The man is assaulted in his office, blindfolded and gagged, and there is not even a sniff of subtly or eroticism; it was pure female anger at masculine oppression, replete with horror and a lust only for vengeance.

Some Do was written by an American woman in the 1970s and The Girl With a Dragon Tattoo was written by a Swedish man in the 2000s. There was a vast difference in the way the parallel scenes were depicted. One was written with a raw anger beneath it, filled with a sentiment of “We’re not taking this anymore! We will fight back and hurt you worse if you hurt us!”

Larsson, it seems, wrote his book as an aggrieved male figure for all the violence committed against woman by men as a dark-revenge fantasy.

The initial rapes of Lisbeth were crude, but didn’t disturb me overmuch. That sort of sexual violence is de riguer in murder-mystery books, unfortunate to say. But it was Lisbeth’s revenge scene where I had my “epiphany.”

Controversial Opinion

As a person, I can’t judge Larsson, However, as a reader judging an author, I certainly can. His character of Lisbeth is not a true woman: she is an amalgam of all that is “cool” and “ballsy” about women in media: a cartoon/manga/movie/porn version of what a “kick-ass woman” is. Weird that in a book originally titled Men Who Hate Women Larsson used a female protagonist who is a caricaturized version of post-modern ideal femininity to conquer all the bad evil men.

(Or perhaps Larsson WAS so smart he knew exactly what he was doing? Maybe. Even so, I didn’t care.)

Eh, if you’re going to market a mass-murder/rapist book as feminist theory, at least make it a teeny bit based in realism. And interesting.

And I apologize to Dan Brown for all the mean things I said about him. I won’t take them back, because they’re true! It’s that I should have kept it all in perspective in the “literary” sense. There’s being a successful hack who knows he’s a hack. And then there’s being a hack that’s pawned off as a literary genius and arbiter of feminism. Plus, there’s the fact that Larsson died relatively young, so like Kurt Cobain, no one can EVER complain about Larsson’s talent.

(Ok, that last part WAS cruel. But I won’t take that back, either.)

Awful, awful and boring book!

It’s Always Sunny in Philadelphia: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today by The Gang

It’s Always Sunny in Philadelphia: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today, The IASIP Gang, Dey Street, 2015

5 Stars

Rating: 5 out of 5.

Book – It’s Always Sunny in Philadelphia: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today by The Gang

If you have never watched an episode of “It’s Always Sunny in Philadelphia” then this book is not for a jabroni like you.

But if you are a glue-huffing degenerate who enjoys the antics of the most wretched gang of drunks (who are a fusion the best and worst of the”Trailer Park Boys” and “Seinfeld”) this is a self-help book for written just for us suckers geniuses.

Charlie

The funniest sections were Charlie’s by far. It’s ironic that an illiterate’s writings and rants were the best. Love his advice for stalking the one you love. His avian brilliance also reminds us why he is the pre-eminent expert on US bird law.

And his recipes for making cheese are priceless. Remember that old Polly-o String Cheese Commercial?

(Blond kid walks into pizzeria)

KID: Gimme me pizza with extra cheese….And hold the sauce…And hold the crust.

CASHIER (bewildered): Hey Jimmy, give me a cheese with nuttin’!

JIMMY (dumbfounded): Nuttin’?!!

POLLY-O STRING CHEESE COMMERCIAL

Other cheese making recipes include stealing from rat traps or making your own cheese with orange juice and half and half, letting it sit around for a couple of weeks behind a toilet…and enjoy!

That Charlie, he’s a cheese-rat genius.

Dennis

Dennis’ sections are lucid and intelligent. He actually gives good advice on how to not get stuck doing Charlie work and how a man should properly apply makeup (to his face, abs and penis). Dennis may be a potential serial killer, is questionably a rapist and absolutely is a voyeur, but other than that, he’s a golden god with a body sculpted to proportions of Michaelangelo’s David, so what he says matters.

Frank

I love Frank’s advice how to screw over everybody. That man knows his stuff. And his recipes! Mmm-mmm! Now I know how to make a delicious rum ham using only a canned ham, a few bottles of rum, a gun and several bullets. Plus Italian parsley for garnish to make it classy. There’s his blue-jean tea recipe which require crabs dredged out from the polluted Delaware river.

But his recipe for raccoon…yummy! For you “Hannibal” fans afraid to take the leap into full-out cannibalism, a raccoon is as close as you’ll get to tasting human flesh. Just watch out for those tapeworms. Unless you want tapeworms to lose weight, then it’s all good.

The Gangly Bird

Dee’s sections surprisingly didn’t suck, even though she’s the useless chick. As we all know in this group there is the Wildcard: Charlie, The Brain: Mac, The Looks: Dennis, The Muscle: Frank and the Useless Chick: Dee (also known as the giant bird). Her reverse D.E.N.N.I.S system S.I.N.N.E.D. is awesome, because while Dennis bangs chicks just to bang them and leave, Dee bangs guys to steal from them.

Even Frank says he’s proud of his girl because she is both a whore and a thief, and that’s the best way to get through life is whorin’ and thievin’. (She’s also likes to poison people, but that big, yellow bird can’t do anything right!)

Mac

As last, Mac… Well his sections weren’t awful, but they were the least funny. At first I did laugh at how he went on and on about the oily, buffed, masculine physiques of certain action stars (Carl Weathers, Sly Stallone, Jesse Ventura, Arnold Schwarzenegger and Dolph Lundgren). And we all know he is certainly 1000% not gay, so there’s nothing to be read in there. His comment about it being “Adam and Eve not Adam and Steve Hawking” did merit a chuckle, but he should stick to topics he knows best, like his martial art moves and occular pat-downs.

Opinion

It’s Always Sunny in Philadelphia: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today by The Gang is a classic destined to be treasured forever with the writings of Shakespeare and Twain and Hemingway. No doubt will it be taught in classrooms for decades to come.

Dooku: Jedi Lost by Cavan Scott

Dooku; Jedi Lost, Cavan Scott, Del Rey, 2019

5 Stars

Rating: 5 out of 5.

Audiobook – Dooku: Jedi Lost by Cavan Scott

Long ago, in a galaxy far, far away…

One thing I love about the Star Wars domain is how vast it is, so much so that any genre fits within it. The films, tv series, video games, comics, cartoons, books, audiobooks, and fan-fiction can tell varying stories for all ages: science fiction; science fantasy; space opera; military fiction; action/adventure; horror; traditional romance; and now, with Cavan Scott’s Dooku: Jedi Lost, a Gothic tale.

Dooku: Jedi Lost was originally released as an audiobook, then a screenplay. The screenplay is great, but I recommend listening to the audiobook, which is fantastic. The casting of each character is on point, especially the feline voice of the narrator, Asajj Ventress.

A Star Wars Gothic

Like any good Gothic, the tale is told in 1st-person-POV. Our heroine resides in dark, dreary castle with a wicked man who completely owns her destiny.

“I hate it here.

I hate the castle. I hate the cliff. I hate the spikes whirling above the forest far below. I hate the moons grinning down at me.

I hate the fact that night after night I stand on this ledge, feeling the breeze against my skin, wondering what it would be like to jump, to drop into the trees.

Would the Force guide me?”

Dooku: Jedi Lost

Thus begins the tale of the tormented Sith acolyte and assassin, who is under the yoke of her master, Darth Tyrannus, better known as Count Dooku of the planet Serenno. Taken by Dooku after he had found her in a gladiatorial arena, Ventress is his servant, forced to do his bloody bidding or face the might of his Sith lightning. In the meantime, there is also a ghost in this gothic tale, as Ventress is haunted by the spirit of her deceased Jedi Master, Ky Narek, who torments her with thoughts of the past and of-what-could-be.

The Count has ordered his disciple to listen to holographs & recordings that tell the story of his life, in hopes that they will help her in seeking out his long-lost sister, Jenza. This framework takes us through Dooku’s past, from his time as a youngling, to Padawan apprentice under Master Yoda’s tutelage, to full-fledged Jedi knight and beyond.

Dooku has an unusual past for a (former) Jedi: unlike other Jedi, he knew his blood-family and formed attachments to them. Not only that, but he also had a great and lasting friendship with his fellow Padawan, Sifo-Diyas, a relationship that would have a devastating effect upon the galaxy. I won’t delve further into the plot, because while the plot is labyrinthine and twisted, it’s the atmosphere and emotion that really won me over.

Asajj Ventress and Count Dooku

The first time I listened to this on Audible, I enjoyed it; the second time I was kicking myself for not initially grasping how awesome it was. This was so much better than the other new-canon book about Ventress, The Dark Disciple, which I’ve reviewed already.

Asajj’s feelings for Dooku are complicated. She hates him yet is caught under his powerful spell. I was never one for shipping fictional characters, however, Ventress is such a sultry, sensual creature that she has great chemistry with everybody she comes in contact with! On “The Clone Wars” animated show, she once skewered a Clone Trooper with her lightsaber as she kissed him sweetly to his death. On that same show, she and Obi-Wan Kenobi had a running flirtation, each one sassily countering the other’s insults with ripostes and occasional double entendres.

Count Dooku, played by Sir Christopher Lee in the films and voiced by Corey Burton in TCW, is such a fascinating character, with an unfortunate sounding name. George Lucas named the character Count Dooku after Count Dracula in honor of his portrayer, Christopher Lee. Seemingly cool, urbane, and stoic, the Count has an aura of great strength and power. (view spoiler) He is a semi-tragic figure in that his fate was sealed once he partnered up with Lord Sidious and the Dark Side.

Do not mistake my feelings about Asajj & Dooku for actual romance, because there is none in this story. There is an extremely strong bond between them, one that Asajj yearns to break, but cannot. She is his thrall.

One quibble about this story: I dislike that in the new canon it’s not his former Padawan Qui-Gon Jinn’s death that forces Dooku to leave the Jedi, but his brother’s death that makes Dooku claim his title as Duke of Serenno. It was more touching when Qui-Gon’s death affected Dooku so, and more meaningful to his downfall.

Opinion

At any rate, if you are a fan of the darkside, I recommend this audio play. As I said, it’s well-performed and the production quality is as spotless as ever (the Star Wars books are all phenomenal on Audible; even a bad story sounds great on that medium).

Alas, for what could have been for both Asajj Ventress and Count Dooku, two conflicted souls destined for the Dark Side of the Force.