The Da Vinci Code By Dan Brown

The Da Vinci Code, Dan Brown, Doubleday, 2003

2 Stars

Rating: 2 out of 5.

Book – The Da Vinci Code

When I was a kid, I adored the Saturday morning cartoon “A Pup Named Scooby-Doo.”

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Remember this ABC Saturday a.m. cartoon, kids? No? Damn, I’m old.

It was my favorite incarnation of Scooby Doo as it was bright, colorful, amusing, and kept me wanting more. While reading Dan Brown’s The Da Vinci Code, I was reminded of this series, only because I was amazed that a made-for-children animated program had more wit and mystery than this mess of a book. I started to read this and went into a tizzy. What the hell was Brown guy thinking? Did millions of people worldwide truly take this poorly-researched, poorly-written junk seriously?

The plot isn’t complex: Langdon Brown, Harvard professor of Cryptology, or some such nonsense, is in Paris to give a lecture and then meet the overseer of the Louvre. But before Langdon can meet him, the art scholar is killed. Langdon is called by police to go to the Louvre to solve some puzzling clues. A mysterious young beauty, Sophie Neveu, arrives and then Langdon is soon considered the prime suspect of the murder. The two flee from police, while solving “complex” puzzles that lead to more clues.

Meanwhile, in Rome, Bishop Arringarosa, head of the secretive organization, Opus Dei…

The Right Reverend, His Excellency, the Bishop

…has sent his henchman, Silas, a self-flagellating, albino monk who wears brown robes and wraps barbed wire around his thigh so it constantly bleeds (because that’s the kind of guy who blends into a crowd) to make sure a secret regarding the Holy Grail—-one that could destroy the whole Christian faith—-is never revealed.

The book was obviously written with its eye on Hollywood (I haven’t yet seen the movie, and this book doesn’t inspire me to do so). Langdon is referred to looking like “Harrison Ford in Harris tweed” and Dan Brown admittedly wrote the character of Bezu Fache with actor Jean Reno in mind. I enjoy good pulp-fiction, a potboiler that leaves you on the edge of your seat, waiting to know what happens next…but this book was not that kind of read.

For people with ADD/ADHD like me, The Da Vinci Code is split up into short chapters, which should make for easy reading. However, they usually end with nail-biting cliffhangers such as:

“Now, I’ll tell you the rest of the story.”

Or: 

“I can’t drive a stick-shift!”

Dun-Dun! Can you feel the suspense?

Lots of Action: Running and Talking, Driving and Talking, & More Running and Talking!

The pacing is all wrong; the book is 450+ pages long and 90% of the action takes place over 12 hours. Perhaps my definition of a fast-paced novel is different than Brown’s: to me, it’s not one set in a short period of time, but one where a lot of action and suspense occur. Stuff happens here, but mostly it’s just running: Langdon and Sophie escape from the police, they hide though out the Louvre, then drive through the streets of Paris to the countryside to meet a friend, fly to England, hide some more, and skulk their way to another museum, always fleeing from police and bad guys.

All the while, there are a lot of stupid questions asked by supposed code-expert Sophie. Langdon’s long-winded explanations of facts that Sophie should be more than aware of are ham-handedly inserted to enlighten the reader. Thrown in are lots of extemporaneous, long speeches about what this work of art represents plus stupid flashbacks. For example, as they’re pursued by cops, Langdon thinks: “Hmm, this reminds me of the time I was sharing my divine knowledge with prison inmates in a speech about the ambiguous sexuality of the Mona Lisa. She’s really a dude. That blew the their minds. I’m so smart, heh-heh.”

There is another flashback where Landon describes the Fibonacci code to a class of Harvard students who are shocked and dumbfounded that such a series exists in nature.

Really? A 15 year-old-stoner who’s watched Darren Aranofsky’s misnamed “Pi” knows the relevance of this basic sequence!

There are plenty of other silly ideas, such as Langdon stating that the Greeks used the word Eros as an anagram for rose. But this makes no sense because “Eros” is Greek and “rose” is English or French. In Greek, rose is ρόζα which translates into roughly “rhodon” or “rodon,” and the alphabets are different besides!

Brown claims in the painting The Last Supper there is a disembodied hand holding a knife at Jesus’s back. In every version I’ve seen, it’s Peter who is holding the knife. (Ok, some art historians claim that it was added in a restoration of Leonardo’s work, as he was such a master of the human form that it makes little sense to have Peter in such an awkward, unnatural pose.)

But Brown is no religious historian either; his “facts” should in no way be taken as such. He’s an average pulp writer trying to make a controversial book and sell copies, and by hitting those divisive notes he shows himself to be a better salesman/promoter than author.

It’s Just Fiction, Relax…

I realized to take Brown’s errors with a grain of salt as I had a huge epiphany about halfway through this book. In a startling revelation, Langdon points to his Mickey Mouse watch and discloses that Walt Disney, like numerous notable historical figures, was one of the keepers the Holy Grail’s secret. Many of his films were filled with hidden “Easter Eggs,” such as the “The Little Mermaid” where Ariel’s red hair makes her a perfect match for Mary Magdalene!

And I finally got it, slapped myself on the forehead, and exclaimed, “D’oh!”

Dan Brown is screwing with the reader and had a jolly old time laughing his way to the bank.

Like the—ahem—History Channel’s program “Ancient Aliens,” he throws so much crap and conjecture that some might figure, well, even if 1% of what’s said is true, then this changes everything! We are through the looking glass, people!

Dan is both a hack and a genius! What’s more he made himself known as a “preeminent” author and made a ton of cash!

Thankfully, I got this e-book for free.

Opinion of The Da Vinci Code

As long as I’m entertained, I can tolerate a silly plot. For me, the Da Vinci Code started out as horrible, then mildly irritating, then unintentionally quasi-hilarious.

If you want to find something amusing that skewers sacred cows, I suggest watching the South Park’s “Fantastic Easter Special” episode, which was snot-flying-from-the-nose-hysterical and revealed the Catholic Church’s true secret:

 photo truepope.jpg
Papa Lepus

If you want a nail-biting action-thriller, look elsewhere; as far as I’m concerned Sidney Sheldon’s reputation as “The Master Storyteller” is still safe. If you want to search religious or artistic truth, seek non-fiction, documented sources. Brown might claim his facts are so, but some simple research will show otherwise.

Far from being the engaging blockbuster that I had heard, I found The Da Vinci Code to be an unremarkable let-down filled with flat characters and silly “twists.” Christians of all stripes, Gnostics, atheists, agnostics, historians, lovers of art, readers who enjoy characterization or fast-paced thrillers or even mildly entertaining books, all these people should be offended, because if you’re paying good money for an appealing story, this isn’t it. But like I said, I got it for free, so there’s that.

This was a frustrating read, but it wasn’t so boring that I hated this thing. That’s a positive, I suppose.

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